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🧟♂️ Own the comic that started the zombie revolution!
The Walking Dead, Vol. 1: Days Gone Bye is a used but well-maintained graphic novel by Robert Kirkman, ranked highly among horror and young adult comics. With over 2,300 glowing reviews and a strong bestseller presence, it’s a must-have for collectors and fans craving the origin of the iconic zombie apocalypse series.
| Best Sellers Rank | #47,953 in Books ( See Top 100 in Books ) #522 in Horror #2,120 in Comic Books & Graphic Novels #5,729 in Teen & Young Adult |
| Customer reviews | 4.8 4.8 out of 5 stars (2,308) |
| Dimensions | 16.83 x 0.76 x 25.88 cm |
| Edition | Illustrated |
| Grade level | 11 - 10 |
| ISBN-10 | 1582406723 |
| ISBN-13 | 978-1582406725 |
| Item weight | 1.05 Kilograms |
| Language | English |
| Print length | 144 pages |
| Publication date | 7 September 2006 |
| Publisher | Image Comics |
| Reading age | 16 years and up |
A**N
As described
As described
O**D
Entertaining book
Great quality
9**9
The story is horrid but at the same time fascinating. As the foreword states, this is not about zombies but is a survival story of a man named Rick, a cop from Kentucky. I hope that you enjoy it as much as I did.
@**0
Having let the TV series pass me by for some time, I began watching it and was hooked. After a series of Walking Dead Marathons I had caught up with TV series and decided to fill the time until the next series with the books which started it all. I was familiar with some aspects of The Walking Dead as I had read interviews with Robert Kirkman in CLiNT Magazine (sadly no longer running) which didn’t give much away in terms of plot, but gave an idea of the overall scope and angle of the series. The fore-word in the book emphasises the fact that this isn’t just a horror comic about flesh-eating zombies, that’s merely the backdrop to the story about Rick. This is a character driven story which happens to be set in a zombie apocalypse, if society were to find itself ‘fixed’, if in time some semblance of normality would return – Rick’s story would still continue. I won’t use this review to compare the graphic novel with the TV Series as they are both excellent ways to enjoy the Walking Dead. The Walking Dead comics no doubt fed (and continues to feed) ideas into the TV series and it benefitted from being created after the Walking Dead world had been fleshed out (no pun intended). It’s clear early on though that if you came to the comics after watching the TV series, you are going to experience something which is very familiar, but also quite different – even if you remember the episodes well (and I do!), this offers a whole new level of shocks and surprise – no tension is lost and the books are edgier, able to show us the zombie filled landscape in a much darker way. It’s gloriously twisted and always grounded in reality. Reality here is captured by the realistic interactions between characters, the way they speak and react to each other. Very early on the characters feel multi-faceted and substantial, without this plausability the books would never have been as successful, it invests in great characters and it’s their journey you experience. Having such a feel for the folk on the pages heightens the sense of danger and makes every situation more intense. The story opens with an fairly prescriptive opening, a man wakes up in hospital – his comatose state perversely protecting him from the horrors happening on the streets, this John Wyndham-esque introduction has been copied many times – and post-apocalyptic, zombie filled streets are hardly original. There’s never been a Rick Grimes before though and despite a dangerously formulaic start, The Walking Dead establishes itself as one of the most original and standout pieces of literature for a long time. Kirkman largely ignores the zombies, the fantastic artwork by Tony Moore tells us their story (their clothes and condition hinting at the human life before the ‘turn’) instead we see the quarrels, laughs and concerns of a band of survivors whose future is far from certain. In a nutshell: Exploring the human condition by placing them in the midst of a nightmare. The genius of the Walking Dead is focussing on the those experiencing the nightmare, those who must deal with the monsters – rather than the monsters themselves. Constant gore and bloody dismembering can be visually stunning, but it can all get a bit ‘meh’ after a while – but seeing how people deal with that level of real fear, seeing how it shapes them is compelling. By the end of this volume the world and the lives of those in Rick’s group will never be the same, and there’s a long way to go yet!
J**N
... in the best sense. Volume 1 of the Walking Dead would make for a perfect zombie film in and of itself. The fact that there are already another 7 anthologies awaiting the readers seemed frankly too good to be true (I've rarely been happier to be wrong). When I read Robert Kirkman's forward to this first volume, I remembered the feeling of seeing the credits roll after my favorite movie ended, that agony of having to leave characters and places without knowing if I would ever get to see them again (this is admittedly not so much a problem for the youth of today in this age of infinite Disney sequels). The Walking Dead is an answer to that pain... Kirkman's goal is to spin a story that tells you What Happens Next. And unlike the eternal sequels we have come to expect from Hollywood, these stories aren't endless iterations on the same theme... they instead show the evolutions of each of the characters in this world after civilization's fall. Kirkman's writing is sharp and believable (at least it covered how I think people would talk if being chased by zombies). The relationships are vital and poignant, thus capturing another crucial element of the zombie genre. Tony Moore's art in this first volume is extraordinary. The story is told as much from the images and expressions of the characters as it is in the writing - Kirkman and Moore created an amazing tapestry in these first 6 issues. I was genuinely moved. Now to grouse a bit. Moore only drew the first 6 issues, contained in this volume. Other than the covers of the ensuing anthologies, that's all you get of Moore, which was a bit of a rude shock when I opened Volume Two - Charlie Adlard took the reins in Issue #7. Adlard has made the series his own, and done a great job of it, but I still miss the look and feel of those first 6 issues. That said, I think that the comic has transformed from a great idea into a worthy epic part of the Modern Zombie Canon (Simpon Pegg even pens the after-word of one of the later volumes). Now you'd better stop reading and click the "Buy" button. It's time that you met Rick.
H**A
Ich gebe zu, ich bin erst durch die TV-Serie auf den Comic gekommen. Die Serie ist ja schon spitze, aber der Comic ist wirklich eine Klasse für sich. Toll gezeichnet, wahnsinns Szenerie und keine stumpfen Dialoge - man hat also richtig was davon. Für die Fans der TV-Serie: Es kommen hier zwar z.T. nicht die Charaktere aus der AMC-Serie vor, aber das gilt auch andersherum. Trotzdem absolut lesenswert und ergänzt nur den Spaß an der Serie! ;)
N**4
The quality of this comic book is phenomenonal, it felt very "fresh" and "clean". I love The Walking Dead so much and I have a big collection of Items that would easily add upto $300AUD. This is a great addition to it. I have 3 pop vinyls, 2 seven inch figurines (Negan and Daryl), a replica of Lucille, a 3d framed picture, a framed picture signed by Andrew Lincoln and Norman Reedus, and now ontop of that I have this beautiful comic. A must buy if you're a mega fan of The Walking Dead.
Trustpilot
2 weeks ago
2 months ago