Spectre [PL] [DVD] (English Audio.English Subtitles)

This is a really well-done Bond movie. Lots of action of course, but also an interesting storyline, part of which taps into Bond's own past. Daniel Craig has always been one of my favorite "Bond actors". This movie is in about the middle of his Bond career. This is also interesting as it (very lightly) addresses the problems the UK had with its different intelligence agencies and whether to merge or get rid of certain departments or programs.

Always entertaining, Bond James Bond, I have watched all many times, action, coolness personified….Daniel Craig an excellent Bond in a long line of excellent Bonds

We never miss a James Bond film and sure missed this one! It was GREAT!!!! Love Daniel Craig!

This movie was OK but there are better bond movies out there

The best one

Fantastic Film, as are all Daniel Craig’s Bond movies

Nothing better then watching an 007 movie.

Great movie enjoyed double oo7 ! For my movie collection.

Well, the first fifteen minutes of Sam Mendes' latest Bond effort are probably better than anything on screen at the moment, action film or otherwise. The opening sequence in Mexico is as good as any Bond movie intro has ever been, easily equal to the formidable train scene at the start of Skyfall or the foot chase scene in Casino Royale. How did Spectre rate overall? Here's my review to find out. One aspect of the Craig-ian bonds I have to profess loving is the fact that the first two occurred within hour of one another, namely Casino Royale into Quantum of Solace. Here, with Spectre, we pick up shortly after the incidents at Skyfall. This factor gives an urgency and real time feel to the films, as well as an urge to re-watch the preceding movies. Now as with everything, there is a penchant to turn on what was perceived as innovative and groundbreaking. I cite as example, the Bond-ian lore redefining “Skyfall”. The movie directed by Sam Mendes and featuring a tour de force performance by Javier Bardem as “Silva” brought deep emotional depth and gravitas to the Bond mythos. It was fantastically action filled, powerfully acted, particularly with Judy Dench’s performance providing M’s swan song. It was politically charged and relevant and garnered both critical praise and financial success; earning in excess of 1 billion dollars world-wide. Familiarity breeds contempt, however, and now there is an epic amount of vitriol aimed at this movie. The vitriol now carries through to Mendes’ latest Bond opus, “Spectre”via numerous reviews. Honestly, people are fickle. As I stated earlier, the first fifteen minutes of this film have more going for them than most films depict in their entirety. The opening text about the dead being alive segues into a massive big screen celebration featuring Mexico’s Diaz de Muerta (Day of the Dead) celebrations. Bond clad in a skeleton outfit, complete with a top hat, calmly strides throughout the celebrations with his consort by his side. Moments later, he is stripped down to his perfectly cut suit prepping for an ‘elimination’ of an unknown Spanish man plotting to blow up a stadium with his associates. What ensues is madness featuring a helicopter fight that just has to be seen on big screen With this bombastic start; we return to a terse meeting between Bond (Craig) and Mallory (Ralph Fiennes) the new M. Mallory calls out Bond for wanton destruction and carrying out a violent action publicly while their division, namely the 00 division is under intense scrutiny. He questions him as to the why of his mission and suspends him when Bond won’t answer for his actions. Bond takes his suspension far too calmly, prepping the viewer for the subversive actions that follow. The movie will probably be Craig’s last despite his being under contract to do one more. Unquestionably, and I know I might catch heat for this; Craig has become the James Bond. His combination of intelligence, epic battle prowess, ruthless cunning and just plain confidence have allowed him to surpass all those who precede him...yes....even Sean Connery. I will use one word to typify Craig’s take on Fleming’s legendary character – capable. Craig’s Bond seems, and really is, undeniably capable. The physicality he brings to this role is incontestable. The humanity measured against his calculating efficacy allows this Bond to become something more. This latest foray simply cinches his claim and legacy. The film is rife with Easter Eggs/homages to previous Bond films, particularly the gadget-y vehicles and weapons. This is done to a lower key, however, so that it does not detract from the narrative a trap many of the older films did not avoid. The sheer task of unifying all the Craig film villains under one banner and spring-boarding the nearly familial origin of the uber threat was brilliant. Monica Belluci's Lucia Sciarra, besides appearing ageless, is simply a vessel for Bond’s obtaining information to get closer to a threat without mercy. The connection with Mr. White (Jesper Christensen), a key character in both Casino and Quantum was well played and leads our protagonist to a liaison and eventual empathetic connection long denied Bond. Lea Seydoux gives a smoldering performance as a femme fatale whose origins don’t differ that much from Bond’s. As Madeline Swann, interactions with him lack the witty play demonstrated by Vesper Lynd (Eva Green), from Casino Royale, but are still chemistry laden and resonant. The mega villain of the piece later aptly refers to Lynd’s death as “the big one” as far as losses incurred to James Bond at his hand. There is very much a collaborative feel to this film. Bond has a proper team in this one, namely via his “mole”, Moneypenny (Naomie Harris) and Q (Ben Winshaw ). The playful banter between Bond and his associates adds an injection of much needed humor. Q’s comment’s “I hate you right now” and “Mallory wants my balls as Christmas ornaments” are delivered with perfect deadpan aplomb. M’s (Dench) former second, Tanner, played by Rory Kinnear is allowed a voice in this film as well as he works covertly with Bond, helping him fulfill M’s last wishes. Mallory too takes an active role in this film, acting against the localized threat, Max/C (Andrew Scott), against his people via an imminent reinvention of the intelligence community world-wide. The main villains are Oberhauser (Kristof Waltz) and Hinx (Dave Bautista). Bautista, a former professional wrestler, brings an incredible physical presence in this film. After his epic last outing as Drax in the outstanding “Guardians of the Galaxy”, here he lets his actions speak in his stead. In fact, he only utters one word throughout the entire film. His fight scenes with Bond push the level of credulity a bit as honestly, the big man can hit and with tremendous impact. I’m just sayin’. The real threat, as always, is the cerebral villain. Waltz can play such roles in his sleep. With Oberhauser, he brings an understated vileness and insanity that surpasses the character to which he pays homage. There are clues as to his identity throughout the film and with an ever ravenous fan base that cannot wait until a damn film comes out, facts better kept until the film’s release were unveiled earlier on. Either way, Waltz provides the requisite villainy without issue. A smile or simple gesture from the man is menacing. Waltz as Oberhauser simply works. Spectre is not the greatest Bond film ever made but it unquestionably top tier. If this film is to be Craig’s Bond finale, however, it is one delivered with presence, passion and oomph. Spectre is assuredly simply outstanding and well worth your time.

良い品物でした。

SPECTRE [2015 / 2016] [Exclusive Limited Edition Steelbook] [Blu-ray] From the Director of SKYFALL! Hang On To Your Seats: Bond is Back, With A Vengeance! A cryptic message from the past sends James Bond on a rogue mission to Mexico City and eventually Rome, where he meets Lucia Sciarra [Monica Bellucci], the beautiful and forbidden widow of an infamous criminal. Bond infiltrates a secret meeting and uncovers the existence of the sinister organisation known as SPECTRE. Meanwhile back in London, Max Denbigh (Andrew Scott), the new head of the Centre for National Security, questions Bond’s actions and challenges the relevance of MI6, led by M (Ralph Fiennes). Bond covertly enlists Moneypenny [Naomie Harris] and Q [Ben Whishaw] to help him seek out Madeleine Swann [Léa Seydoux], the daughter of his old nemesis Mr. White [Jesper Christensen], who may hold the clue to untangling the web of SPECTRE. As the daughter of an assassin, she understands Bond in a way most others cannot. As James Bond ventures towards the heart of SPECTRE, he learns of a chilling connection between himself and the enemy he seeks, Ernst Stavro Blofeld played by Christoph Waltz. Cast: Daniel Craig, Christoph Waltz, Léa Seydoux, Ralph Fiennes, Monica Bellucci, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Rory Kinnear, Jesper Christensen, Alessandro Cremona, Stephanie Sigman, Tenoch Huerta, Adriana Paz, Domenico Fortunato, Marco Zingaro, Stefano Elfi DiClaudia, Ian Bonar, Tam Williams, Richard Banham, Pip Carter, Simon Lenagan, Alessandro Bressanello, Marc Zinga, Brigitte Millar, Adel Bencherif, Gediminas Adomaitis, Emilio Aniba, Erick Hayden, Nigel Barber, Patrice Naiambana, Stephane Cornicard, Gary Fannin, Sadao Ueda, Philip Law, Wai Wong, Joseph Balderrama, Eiji Mihara, Junichi Kajioka, Victor Schefé, Harald Windisch, Tristan Matthiae, Detlef Bothe, Bodo Friesecke, Michael Glantschnig, Lara Parmiani, Umit Ulgen, Amra Mallassi, Ziad Abaza, Walid Mumuni, Derek Horsham, Nari Blair-Mangat, Michael White, Adam McGrady, Nader Dernaika, Pezhmaan Alinia, Nad Abdoolakhan (uncredited), Lasco Atkins (uncredited), David Olawale Ayinde (uncredited), Steve Barnett (uncredited), Oliver Cantú Lozano (uncredited), Maurisa Selene Coleman (uncredited), Marianna Dean (uncredited), Alan Del Castillo (uncredited), Dame Judi Dench (uncredited), Gloria Garcia (uncredited), Solomon Taiwo Justified (uncredited), Gjevat Kelmendi (uncredited), Jorge Leon Martinez (uncredited), Johnny Lynch (uncredited), Christopher Marsh (uncredited), Taylor Murphy (uncredited), Mac Pietowski (uncredited), Vuksan Rovcanin (uncredited), Conny Sharp (uncredited), Clem So (uncredited), Daniel Stisen (uncredited), Romeo Visca (uncredited), Tony Paul West (uncredited), Daniel Westwood (uncredited), Gregg Wilson (uncredited), Michael G. Wilson (uncredited), Miroslav Zaruba (uncredited), Ruolan Zhang (uncredited) and Dominic Zwemmer (uncredited) Director: Sam Mendes Producers: Andrew Noakes, Barbara Broccoli, Callum McDougall, Daniel Craig, David Pope, Gregg Wilson, Jayne-Ann Tenggren, Michael G. Wilson, Roberto Malerba, Stacy Perskie, Wolfgang Ramml and Zakaria Alaoui Screenplay: Jez Butterworth, John Logan (story), Neal Purvis (story) and Robert Wade (story) Composer: Thomas Newman Cinematography: Hoyte van Hoytema Video Resolution: 1080p Aspect Ratio: 2.40:1 Audio: English: 7.1 DTS-HD Master Audio, English: 5.1 Descriptive Audio, Spanish: 5.1 Dolby Digital, French: 5.1 Dolby Digital and Portuguese: 5.1 Dolby Digital Subtitles: English SDH, Spanish, French and Portuguese Running Time: 148 minutes Region: Region A/1 / B/2 Number of discs: 1 Studio: Metro-Goldwyn-Mayer / Columbia Pictures Andrew’s Blu-ray Review: British secret agent James Bond [Daniel Craig] discovers that a vast international terrorist/espionage organisation has been behind many of the villains he has faced in the recent past. With MI6 falling under the control of a surveillance-obsessed bureaucrat, Bond has to disobey orders and strike out on his own against Spectre. "The dead are alive," we're informed at the start of Sam Mendes' second James Bond outing ‘SPECTRE’ [2015], and there's a definite sense that this 24th entry into the franchise is attempting to resurrect ghosts from the past. The action begins gliding through the bustling streets of Mexico City on the Day of the Dead as Bond, once again played by Daniel Craig in what is presumed to be his final turn as 007, navigates crowds decked in myriad skull costumes, like some fantastical danse macabre. This lavish opening tracking shot, captured in one take by cinematographer Hoyte Van Hoytema, dazzles, promising a spectacular follow-up to 2012's box office behemoth ‘SKYFALL.’ After a rapid costume change and a brief glimpse of Stephanie Sigman's Estrella, we see Bond suited and booted as he hops across rooftops on a mission to kill mafia boss Sciarra [Alessandro Cremona]. A dizzying helicopter battle knocks the wind from your lungs and Bond acquires a ring bearing a mysterious symbol before the credits roll, backed by Sam Smith's title track “Writing's on the Wall,” which to my mind is not a patch or good as the Adel song “Skyfall.” Once this opening sucker-punch of a set-piece has concluded we enter much more familiar Bond territory. Like ‘SKYFALL,’ ‘SPECTRE’ is loaded with allusions to the previous entries in the franchise, undoubtedly providing much glee for James Bond fans. Unlike ‘SKYFALL,’ which explored how such a dinosaur of the secret service could still exist and operate in the modern world, ‘SPECTRE’ is more confident about James Bond, no doubt bolstered by the success of the previous film which took a staggering $1bn worldwide. ‘SPECTRE’ has a level of confidence that dares to return to the James Bond franchise of old. There is a typical battle of wits between James Bond and his superior M; this time seeing Ralph Fiennes secured as the head of MI6, Mallory, following the death of Dame Judy Dench's M in the previous outing. Mallory explains how the 00 programme is under threat from a new security initiative, dubbed “Nine Eyes” which is a surveillance programme linking the world's nations, and headed up by paper-pusher Denbigh, aka C [Andrew Scott]. Sam Mendes, along with screenwriters John Logan, Neal Purvis, Robert Wade and Jez Butterworth, uses the rivalry between C and M as a chance to explore the current zeitgeist of anxiety surrounding modern day surveillance and the secret services and high-level intelligence leaks. James Bond is determined to discover the meaning behind the mysterious ring and after a visit to Q-branch, where the returning and brilliant quartermaster [Ben Whishaw] teases Bond with a new Aston Martin and hands out a single gadget to help him on his missions. In Rome, Bond encounters Sciarra's wife [Monica Bellucci] who points him towards a gathering of a clandestine organisation, headed by Franz Oberhauser [Christoph Waltz]. The settings are lavish; Rome, Morocco and Austria look glorious, with Van Hoytema's cinematography warranting comparison to Roger Deakins' marvellous work on the last Bond outing. However, the action is lacklustre, the script bloated with cheap, repetitive gags, that make Daniel Craig's Bond arrogant rather than endearingly cocksure. It diminishes his charm, which is blunted further but Daniel Craig's baffling half-smirks that give the impression of Bond cracking 'dad' jokes. After Rome comes Austria and the reappearance of a familiar face, Mr White [Jesper Christensen] and direction to seek out his daughter, Madeleine Swan [Léa Seydoux], who can reveal all about the mysterious organisation. Along the way, James Bond is pursued by Dave Bautista's Mr. Hinx, a hulking hitman with a deadly manicure and a penchant for popping eyes. He is a combination of Jaws and Oddjob and serves little purpose to the plot other than kick-starting fight sequences. Daniel Craig had a less tough job at the start than Ralph Fiennes does here, taking over from perhaps the most-beloved M in the series [Dame Judi Dench] and entering the superspy arena without reminding you that he was in the Avengers film we don’t talk about. With his own subplot, clashing with a slick new spymaster [Andrew Scott] whose wrong’un status is affirmed when it’s mentioned he was “at school with the Home Secretary,” Ralph Fiennes is so convincing in and out of the action that his M could probably carry a series on his own. If this is to be Daniel Craig’s last bow as 007 (the credits at least promise James Bond will return), he’ll be remembered as the man who brought Ian Fleming’s grit back to one of the great British film franchises. Full marks to Sam Mendes, Daniel Craig, Christopher Waltz, Ralph Fiennes and the brilliant locations. But could we please get a much better and a more uplifting James Bond style song next time and definitely not be hiring Sam Smith, who is not a totally boring non entity to sing the next James Bond theme song, as this is one of the worst I have ever heard and is such a boring dirge, that’s for sure and please I beg of you at E.ON definitely get someone like the brilliant and professional Adel again, who knows how to produce and sing a proper classic James Bond theme song that we can all admire and cherish for future viewing and listening pleasure. Because Sam Smith cat wailing sounds, should in future sit him in a James Bond car and had them flick the ejector switch and as long as they had forgotten to do his seat belt up and blast him to outer space and to never be heard again, ever, and let’s hope it happens for real, as this was a total awful jaw dropping boring dirge, that makes me cringe each time I hear it, and what idiot had the audacity to award Sam Smith an Oscar®, as that just sucks with a total insult to other musicians and composers who produce much more professional music and songs! Blu-ray Video Quality – Metro-Goldwyn-Mayer once again brings us this James Bond Blu-ray that is presented in an awesome theatrical 2.40:1 aspect ratio. But on top of that we have an equally impressive 1080p encoded transfer image that will blow you away. The transfer has a strong sense of detail and no digital artefacts of note. Grain, when apparent, has a tightly controlled structure. When cinematographer Roger Deakins, who'd shot the last film, wasn't available for the follow-up, director Sam Mendes turned to Hoyte Van Hoytema, not only did Hoyte Van Hoytema return the production to 35mm photography as opposed to digital, his work seems to be itself set apart from the look of 'SKYFALL' as much as possible, whereas ‘SPECTRE’ is its own master. The film's photography is deliberately stylized to be little soft and hazy, with flat contrasts and muted colours. As so many films today move toward High Dynamic Range projection in modern cinemas and on the new Ultra HD home format, this is consciously a low dynamic range picture. Black levels are noticeably elevated and never particularly inky. Colours are understated with a frequent yellowish overcast to the entire image. Notice that the background behind the opening gun barrel sequence is more beige than white. Film grain is often visible, even prominent. None of this is to say that the film is poorly photographed. Sam Mendes and Hoyte Van Hoytema conjure up many brilliant striking images within their chosen style. The shadows that frequently conceal Christoph Waltz's Franz Oberhauser are deep and black, and they lift with precision at just the right moments. Digital colour grading provides a distinctive palette for each location, from the yellowed air of Mexico City, especially with its legendary pollution, to the cool blues and whites of the Alpine clinic where James Bond connects with Dr. Swann. Fine detail is so good that even the aerial shots of crowds in the “Day of the Dead” sequence reveal individual figures on the ground. ‘SPECTRE’ has the longest running time of any of EON Productions' Bond films to date, and M-G-M has mastered the 148-minute feature and between the letterbox bars and obvious care taken in the compression, the image has transferred to Blu-ray without any artefacts or other interference. The transfer is a total winner in my eyes. Blu-ray Audio Quality – Metro-Goldwyn-Mayer once again brings us this James Bond Blu-ray that is presented in an awesome and equally impressive 7.1 DTS-HD Master Audio, that is a rock solid bass of fun and what all good soundtrack needs and you get this with this audio presentation. On top of that it also delivers robust music and plenty of enveloping directional activity all through the room and the actual character dialogue is always perfectly clear, intelligibility of the lyrics during the terrible Sam Smith theme song is very poor and pathetic. The sound mix also has a frustrating tendency to suppress sound effects, such as gunfire or car noises, during the action scenes and bury them under the much louder musical score. While that's more of a mixing decision than a disc authoring problem, it holds back some of the big action sequences from being as involving as they might have been. The film did get an immersive 12.1 channel mix in my IMAX cinema, but that IMAX format is proprietary and doesn't have a comparable home version sound mix. But with my Pioneer A/V receiver Dolby Surround function, the early awesome helicopter stunt worked extremely well with all the channels and speakers, with helicopter noises panning back and forth around my lounge. If you don't have a good subwoofer in your home cinema set up, then please go out there purchase yourself one and buy it right now, as it is a must, because the bass on this Blu-ray disc is insane. My sensory memory of the opening scene reverberated through my bones a full day after watching it and that was just from the throbbing music. When the explosions hit… well, just make sure you secure anything in your home that might rattle or fall, because your whole house is going to shake. Blu-ray Special Features and Extras: Special Feature: SPECTRE: Bond's Biggest Opening Scene [2015] [1080p] [2.40:1] [20:12] With this special feature we get a nice introduction in showing us the filming of the start of the film ‘SPECTRE.’ In a mix of behind-the-scenes footage and interviews, we get a cursory, superficial overview of the effort that went into preparing to film the massive “Day of the Dead” scene in Mexico City and it is an impressive sequence that required elaborate make-up, costumes and choreography for over 1,500 extras and not to mention some crazy helicopter stunts that were performed for real with an actual helicopter. But what we also witness is the spectacular ‘SPECTRE’ Film Premier in Mexico after 7 months after the fiming had finished. But the main part of this special feature is the contribution from people like Sam Mendes [Director]; Daniel Craig [James Bond]; Michael Lerman [First Assistant Director]; Barbara Broccoli [Producer]; Dennis Gassner [Production Designer]; Jany Temine [Costume Designer]; Stephanie Sigman [Estrelle]; Stacy Perkskie [Line Producer, Mexico]; Anna Terrazas [Costume Supervisor, Mexico]; Michael G. Wilson [Producer]; Kenny Crouch [Costume Supervisor]; Hayley Barkway [Crowd Make-up Artist]; Polly Coxon-Smith [Crowd Hairdresser]; Naoli Donne [Make-up Designer]; Tracey Smith [Crowd Hair Supervisor]; Priscila Hernandez [Choreographer]; Ben Collins [Art Director]; Gary Powell [Stunt Coordinator]; Chris Corbould [Special Effects Supervisor]; Olivier Schneider [Flight Coordinator]; Chuck Aaron [Helicopter Pilot]; Ali James [Location Manager]; Monica Bellucci [Lucia Sciarra] and Christopher Waltz [Oberhauser]. Special Feature: Video Blogs [2015] [1080p] [1.78:1] [9:08] Here we have six very short video soundbites which consist of: Director – Sam Mendes: what drew director Sam Mendes back to make another James Bond film. Supercars: the car chase scenes. Introducing Léa Seydoux and Monica Bellucci: talking about being the new Bond Girls. Action: the film focuses on practical stunts rather than CGI effects. Music: hearing about that totally awful boring Sam Smith theme song. Guinness World Record: we get to see the filming of the Guinness World Record for the biggest film explosion near the end of the film. You can as usual play each video separately or Play All. Special Feature: Stills Gallery [2015] [1080p] [1:32] Here we get to view 19 stunning colour still images from the film ‘SPECTRE’ and they consist of promotional and behind-the-scenes photos. You can either do Auto Advance or Manuel Advance. Theatrical Trailers [2015] [1080p] [2.40:1] [5:18] What you have is three Original Theatrical Trailers for the film ‘SPECTRE,’ which consist of “Teaser Trailer;” “No.1 Theatrical Trailer” and “No.2 Theatrical Trailer.” You of course can either play them separately or Play All. BONUS: The Exclusive Limited Edition Steelbook Blu-ray UK Release design of the case is an absolutely stunning black design and having the hole where the letter C is, is so brilliant and whoever did the design should get an award and now has now gone pride of place in my James Bond Blu-ray Collection. Finally, even if it is ultimately unable to live up to its own ambitions or the huge success of 'SKYFALL,' to which it is always going to be a direct comparison, 'SPECTRE' is still a pretty spectacular and entertaining James Bond film with a number of memorable sequences. It plays better on repeat viewings once you've accepted some of its limitations, which perhaps makes home video a much better venue than seeing in the cinema, for repeat viewing. But I must admit when seeing it at my local cinema on a massive IMAX screen, I was blown away. The Blu-ray definitely captures the film's very stylized exotic photographic style. Its soundtrack is also a bass lover's dream. The only real failure here is the meagre selection of bonus features. Aside from that, this is a really worthy ultimate purchase for any James Bond fans. Very Highly Recommended! Andrew C. Miller – Your Ultimate No.1 Film Fan Le Cinema Paradiso WARE, United Kingdom

😄 Wenn 007 durch Mauern kracht, Martini schlürft und gleichzeitig sein Kindheitstrauma aufarbeitet – dann ist Daniel Craig wieder im Einsatz! In Spectre geht es weniger um Gimmicks und Girls, sondern um Geister der Vergangenheit, explodierende Gebäude und einen Bösewicht mit Kuschelambitionen. 🕵️‍♂️🍸💥 📜 Bond ist zurück – aber die Welt ist komplizierter geworden. Nach dem Chaos aus Skyfall arbeitet 007 auf eigene Faust und folgt einer geheimen Spur quer über den Globus – von Mexiko City über Rom bis in die österreichischen Alpen. Dabei stößt er auf eine mysteriöse Organisation: SPECTRE. Ihr Anführer? Franz Oberhauser, gespielt von Christoph Waltz, charmant wie ein Gebäck und kalt wie ein Eisschrank. Während Bond alles riskiert, stellt sich ihm eine Frage: Wie viel Vergangenheit kann man bekämpfen, bevor sie dich verschlingt? 🧨🕶️🕸️ 🎉 Stylish wie immer, aber mit schwerem Anzug: Spectre bietet klassische Bond-Momente – tolle Schauplätze, coole Stunts und einen Soundtrack, der Gänsehaut macht. Der Vorspann? Filmkunst! Das Bond-Girl? Léa Seydoux – stark, schön, nicht nur Beiwerk. Die Blu-ray-Version liefert gestochen scharfe Bilder, wummernden DTS-Ton und Extras für alle, die wissen wollen, wie viele Anzüge beim Dreh zerrissen wurden. 🍂🎬📀 📣 Also, Popcorn raus, Disc rein und bereitmachen für eine wilde Fahrt auf dem Mondlicht-Express! Und wer nach dem Film noch nicht genug von außergewöhnlichen Bildern hat: Einfach mal "Marco Warstat" auf Amazon suchen und sich von einzigartigen Bildkalendern, Puzzles & Leinwänden überraschen lassen – die perfekte Geschenkidee für jeden Anlass! 🎨🖼️✨

I will not run on about all the plot points, anyone ordering this is already a fan and probably knows this particular story line. I will simply say that regardless as to whether you feel Sean Connery is the only real Bond or not, I will unapologetically state that Daniel Craig has single handedly revived this franchise in way that it is now hard to imagine anyone else could. More over, Craig's films have been brilliantly directed and produced. Finally, the 4 films tie together in a way that really let's us learn about the Bond character in a way that we have not been privy to, for 50 years. This particular film (the latest and supposedly final film featuring Craig) ties so much of his life up that it makes you wonder if there is anymore that they could share. Sure there is... and with over 1 billion dollars being made by each of the last 3 films, it is likely that Craig will be enticed to go further with this series. (Fact: As of this writing Daniel Craig was offered a very cool $150 million to do 2 more films. He claims he'd rather be boiled in hot oil first but I suspect this might all be part of playing hard to get and I am sure that the studio's will pursue him further.) As for the Blu-ray itself, the production level is 2nd to none as is the film itself. We all have our favorites but this one's seems a little more special than most. Christoph Waltz is a SUPER actor (see Djhang Unchanged and Inglorious Bastards for more proof) and he brings a fantastic portrayal of Blofeld to this movie. Elegant and sinister. Waltz plays it wonderfully. This is Bond at it's best. The Blu-ray itself, is about the best way that I can think of to bring it home.