The Stones of Florence

Some reviewers have suggested that this is the perfect book to read on the plane flying to Florence Italy. I would recommend reading this book on the plane after leaving Florence since McCarthy does an excellent job of pulling together history, political intrigue, the rise and fall of the Medici family, the history of architecture, sculpture, and painting during the renaissance, and the world view of the Italians in Tuscany. This book helps the traveler make sense of what they have seen and experienced while in Florence. The names of the great Tuscan families, the great artists, and the vast array of saints all make much more sense to the reader after they have experienced Florence and now have the opportunity to read McCarthy's thoughtful reflections on this jewel of a city. McCarthy explains that during the renaissance, the fields of engineering, architecture, sculptor, and painter all overlapped and the great geniuses such as Da Vinci, Michelangelo, Giotto, Brother Lippi, Botticelli, and Brunelleschi excelled in all these fields. The power of Michelangelo's David and Sistine Chapel may cloud our understanding of Michelangelo as outstanding architect. McCarthy would have us understand that the outstanding talents and minds of the Renaissance knew few bounds as they applied their talents and innovations. Brunelleschi's architectural masterpieces of the Duomo, San Lorenzo, Santo Spirito, and the Pazzi Chapel would ensure his place in history but he also developed the concept of the vanishing point in pictorial 2-dimensional space which was a innovation of considerable power and which influenced every serious artist since. As the technical aspects of the vanishing point are learned, Masaccio paints the painting of the Trinity, showing the power of this technique, a technique that spread quickly within the artistic community of Europe. Tales of the Duomo are peppered throughout the book since the competition to design and build this dome are legendary. McCarthy tells the essential facts which are given in more detail in Ross King's Brunelleschi's dome. She is unkind to Vasari, the favorite of Cosimo I, who designed the Uffizi and painted the frescoes within the Duomo. She is also unkind to the Mannerists that follow the giants of the late Renaissance. McCarthy is rightfully critical of aspects of Florence. The Uffizi is damp with body heat and wet breath of the crowds that are so dense that it is difficult to see the art and McCarthy invites the reader to enjoy other art treasures in other collections such as the Bargello museum and the Pitti Palace. She invites the reader to stroll in the Boboli and Bardini gardens. McCarthy has a keen understanding of human conflict and the story of Florence is also the story of rivalry, grudge, crime, retribution, violence, power, faction, alliance, and betrayal. The names of the great families such as Medici, Strozzi, Pazzi, and Brancacci begin to make sense as McCarthy weaves the ancient conflicts and rivalries into stories that illustrate how such rivalries and competition could be both destructive and also could inspire innovation and unintended developments. The conflicts were not just between the great families, they were also between the great families and the dictatorship of the Medici family. The conflicts were often between different factions of Christianity such as the Patarenes and Albigensians that challenged the dogma of the Catholic Church. The rise and fall of the evangelical monk Savonarola is often mentioned in her descriptions of the conflicting forces within Florence. McCarthy makes the point that these innovative people strove for both the ideal religion and the ideal state since every form of government was tried in Florence. McCarthy casts Machiavelli as the brilliant political scientist that he was. His cool objectivity about how power is gained and retained remains vibrant reading to this day. Machiavelli explains the attributes of a mercenary army compared to a citizen army but unfortunately it is 300 years later before these lessons take root in democratic Europe. Florence is often at the mercy of the Arno and I was amazed at the number of times over the last 700 years that the Arno floods destroyed bridges and sometimes buildings and art treasures. The Italian language derives from the dialect spoken in Florence and it is Dante's Divine Comedy that helped establish this particular dialect as the primary dialect. Florence is the birthplace of the Renaissance. This re-birth or re-discovery of the philosophers, political models, sculptors and architects of antiquity turned the God-centered world of the Middle Ages on its head and opened the door for the conceptions of modernity. McCarthy captures this transitional process in single geographic place with exceptional story telling skills.

I just finished this book prior to a trip to Florence. This is a book of commentary and Mary McCarthy's observations and knowledge about Florence. I found it very useful, and in parts very fascinating. I'd recommend it before taking a trip to Florence. The beginning is a bit slow. But when it picks up, afer the first chapter or so, it goes much faster. I would have gotten more out of it, and it would have gone faster, if I had already read one of my other books about Florence, say "Florence: Biography of a City" or "Florence A Portrait." This is because, especially at the beginning, she comments on artists and places I'm not familiar with. Her commentary about art and artists is really must read information. Especially about Uccello and, later, the Mannerists. There's some great history here, too. I'd STRONGLY recommend reading this book before a trip to Florence.

Prior to reading this book, my favorite book on Florence was "The City of Florence: Historical Vistas and Personal Sightings" by R.W.B. Lewis which, like much of what one reads about the city, is generally positive. In searching out books on the subject, I had repeatedly come across references to "The Stones of Florence," which I avoided because I viewed Mary McCarthy (1912 - 1989) as a sort of upscale Danielle Steel, a popular novelist incapable of perceptive insights. That assessment was wrong. Instead, from the first page, the reader is confronted with perceptive and knowledgeable opinions that challenge his or her own perceptions (e.g., the Florentines are a cantankerous, miserly bunch). You may not agree with her, but there is no doubt that she is highly intelligent and has seriously thought out her positions. In the end, the reader comes away with strong admiration for her intelligence, candor, and succinct writing style. For example: "Up until this time (the age of Michelangelo), sculpture and architecture had been relied on by the Florentines to affirm the strength of the Republic. That is why the Uffizi, beautiful as many of its paintings are, is only a picture gallery, while the Bargello and the Museum of the Works of the Duomo are Florence." (p. 108). "The kind of vulgarity in decoration that is today thought of as middle-class seems to stem straight from Tuscany in the time of the Medici grand dukes (citing Cosimo I)... The interiors of the grand-ducal palaces and villas are sumptuously, stuffily ugly in a way that is hard to connect with a period that was contemporary, after all, with classic Palladio in the Veneto." (p. 201) "Lorenzo the Magnificent was `incredibly devoted to the indulgence of an amorous passion', as Roscoe, his eighteenth-century biographer, puts it; his sexuality was uncontrollable, a perpetual bullish rut." (p. 176) This is not a book for readers considering a first trip to Florence or for those whose sole exposure has been a whirlwind tour of the Uffizi, Duomo and David. It presupposes an in-depth knowledge of the city itself, its history and literature. Those who have that knowledge will find it thought-provoking and rewarding. The title of this book is explained by the fact that three years before writing "The Stones of Florence," McCarthy wrote "Venice Observed," in which she relied heavily on John Ruskin's masterpiece "The Stones of Venice." Readers interested in an objective view of the Medici, particularly Lorenzo il Magnifico, should consider Medici Money: Banking, Metaphysics, and Art in Fifteenth-Century Florence (Enterprise) by Tim Parks. The final chapter is spectacular, pulling together what for me had previously been separate strands of history.

I had high hopes for the book in advance of a trip to Florence. Instead it’s very dates (no tourists???) and assumes the reader already knows a fair amount about the city and the Renaissance. She drops in names of historical figures without any context. She describes paintings without a single picture. In reality it more of a personal homage to the city. Not for learning about Florence in advance of a trip (try The Florentines).

This account of the history of Florence is a good, basic, easy read. The opening chapter lowers any visitors' expectations of the area, especially in comparison to other cities in Italy. Yet, Ms. McCarthy reveals that this area has had a notable rich past. Her research discloses the unique historical events that took place over the centuries that allow us to understand the personalities of the people, the style of the architecture, and the originality of the art and sculpture. Not a Florence guide book by any means, this narritive is aimed for those who are interested in a fresh, unique historical view of the city and surroundings without tedious complexity. However, it will certainly give the novice visitor a realistic insight into the fresh discoveries they are about to experience.

This book was actually written back in the sixties and while the information in it is very inciteful and great historical perspectives, reading it is the difference between reading a Dickens novel and a Stephen King book today. Lots of big words and of course describing things most of us who are not familiar with have to look up and see what the author is referring to. Having said that, I highly recommend this book. I myself, enjoy the big words and I looked up much of what the author discussed on the Internet to get a visual. It made it more real and the material sink in. FYI: This is not a quick read for most.

Forget about this edition of the book--which I would love to find another original 1963 edition of to replace the one I gave away. The cheeseballs at Harvest who choose to reprint this title by shooting pocket edition-sized pages of toothy paper and then enlarging it to trade paperback size should be horsewhipped. Fat broken type throughout. Nearly unreadable. Coyote, buck ugly printing. I understand the margins in publishing, but a good selling backlist title like this should elicit some respect from the publisher, even if they have none for their readers. Somebody should be canned for this want of taste and judgement. We're talking about Florence here. The point of the book is aesthetics. Get the book from the library and wait for a new edition from another publisher. Are all Harvest books this poor? Venice Observed is also a travesty.

Surprisingly detailed for its length, this history of the development of Florence, focusing on the city's premier role in the the Renaissance via artists such as Donatello and Brunelleschi, is educational as well as fascinating.

I was travelling to Florence after 40 or more years of not visiting so I wanted a more up-to-date vision of the City. Mary McCarthy was at her 'no nonsense' best and incorporated the history with the present in a very interesting way. I used the Kindle App. and put it straight onto my Smart Phone which was a real plus.