

🎞️ Capture timeless truths in every frame.
Kodak Tri-X 400 135/36 is a classic black-and-white negative film renowned for its 400 ISO sensitivity, exceptional pushability, and wide exposure latitude. Favored by professional photographers like Sebastiao Salgado, it delivers dramatic grain and profound realism, making it ideal for capturing raw emotion and challenging lighting conditions.
| ASIN | B000I2JI3A |
| Best Sellers Rank | #50,087 in Electronics ( See Top 100 in Electronics ) #150 in Photographic Film |
| Department | Default Category |
| Item model number | 866 7073 |
| Manufacturer | Kodak |
| Product Dimensions | 3.81 x 6.35 x 3.81 cm; 22.68 g |
U**R
The best film there is!
M**A
perfecto
K**K
This 35mm 400 ISO film stock is sharp and elegant with almost no grain, or at least a very fine grain structure that is only apparent in larger scans or prints. It has excellent contrast and shadow detail and an almost digital-like quality to edges. If that is the look you are after then look no further. If you want heavy, visible grain, you might be better off with Ilford B&W stock.
N**A
定番。 価格高騰が痛いですね。
B**H
Tri-X is a classic among classics. A Kodak rep, in a recent article about their film division sang the praises of the recent new formulation of T-MAX 400 even mentioned that they haven't dared to touch Tri-X because of it's standing as a true classic. When I first got into photography, I immediately felt disdain for Tri-X. I considered it a 'student film,' the mark of a true amateur! Years down the road, I became less snobby and less foolish, and it has entered my top three film choices of all time (Acros and PanF+ are the other two, for the curious...) So, for those who don't know, here's the skinny on Tri-X. It's a classic grain emulsion. And, that grain will probably show, but it will look smooth and sexy. It's closest competition in the market, Ilford HP5+, has much sharper, in-your-face grain, in my opinion. You can push and pull Tri-X 2 stops in whatever developer you ordinarily use without really batting an eyelash. You can abuse Tri-X. One doesn't typically encouraging abusing things, but Tri-X takes what you throw at it in stride. I keep it in the camera that stays in my trunk, because situations might not necessarily allow me to get a proper exposure at all times, and I don't have the luxury of picking a film for a specific situation with that camera. I respool Minox with it for the same reason. In fact, it's a go-to film for any camera without a meter, where one has to assess exposure in one's head. With that much room for error (for me, at least... I never said sunny/16 was my forté!), a forgiving film is handy. And Tri-X forgives and forgives... Tri-X looks good, gives consistent results, and allows the photographer to make mistakes. The only thing it does not do well is age -- please shoot this stuff before it expires. Expired Tri-X tends to get blotchy, like it has the measles. All in all, a good price for a great film (36 exp in 135 format). You know you want to!
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