Sony SELP18105G E PZ 18-105mm F4 G OSS , Black

I wanted to use my Nex-6 as a backup to my Sony A7 with a variety of Sony A-mount lenses used through the LA-EA4. I am very pleased with the IQ of the A7. I thought this 18-105mm f4 would be a good lens to put on the Nex-6 and have a fall back camera in my street photography. The shots I got when I received this lens simply amazed me ... and I am used to full frame and good glass. They were clear, crisp and the auto focus was fast. I was a little spooked to read certain forums and reviews about this lens having pillow distortion. It seems it is tru only on cameras that do not internally correct for the lens. I am happy to report my Nex-6 has virtually no such distortion. I was also hesitant due to some forum users reporting it was a video lens and somehow fell short in still photography. That it absolutely not true. I am also a videographer and have used Sony pro video cameras and lensing for years. These camcorders all had the Sony G lenses, and they are of remarkable optical quality in my experience. This 18-105mm f4 Sony G lens is probably at the top of the image quality ladder of all the lenses I have used in both still photography and videography. And that's exceptional because zooms usually do not have the IQ (image quality) that primes have. The zoom ring is smooth and predictable. The feel and build of the lens feels pro level to me. The sharpness and general color accuracy is good. I say generally because I did not take the time to look for things such as fringing on the edges, etc. I'm not trying to be superficial here, but I even like the way this thing looks on a small Nex-6. The lens barrel is relatively thin then progresses up in diameter as you go away from the camera. And on the business end of the lens is a wide, beautiful lens element. My years have taught me that, optical paths and other technological factors equal, there is no substitute for a large piece of glass for the main element. Bigger diameter glass gathers more light and resolves more detail. That's why even though this is an f4, it seems like a fairly bright lens when shooting. Simply put, his thing rocks. I'm going to try it on my E-mount Sony A7 and see if there are apertures where the vignetting (the 18-105mm is made for the smaller APS sensor) is reduced or nonexistent. I cannot imagine the image quality that combo would yield. Though the Nex-6 is a great camera, it simply cannot compete one on one with the A7 full frame and good glass ... Or so I thought. Now, unless I was going to blow up photos to large format afterward, I would equally trust this lens on the Nex-6 and the A7 with a prime. The full frame 100mm f2.8 Sony lens on the A7, on the other hand ... being an exceptional prime ... Might barely surpass this lens on the Nex-6. Overall this was a very good purchase. Very pleased.

SELP18105G: This lens is a good value for the features and cost. For $600, the lens has f-4 max aperture, standard OSS optical stabilization, 6x zoom (27-157mm 35mm equivalent), internal focusing (lens length remains constant for easier handling), power zoom (smoother focusing for videos and can be controlled by the free PlayMemories app), and good weight of 15.1oz (< 1 lb). Yes, there is mild chromatic aberration and distortion, but both of these can be compensated. The chromatic aberration is not always noticeable (depends on the scenery), and is virtually gone by reducing the aperture to f-5.0. The distortion only shows up in RAW images, and any decent photo editing software can correct it with one click. SEL18200: This lens costs $250 more, but has 2x more zoom than the SELP18105G, but 1.3 higher f-stop at max zoom (smaller aperture, > 2x less light). Its about the same size as the SELP18105G, but weighs 18.5oz (3.4oz more). This lens does not have internal focusing or power zoom, but does have a relatively better stabilization that Sony dubbed Active OSS. SEL18200le: This lens has the same featues as the SEL18200 lens, but costs $100 less because it only has the regular OSS, not the Active OSS. Due to that fact, it weighs in at 16.3oz and is 1cm shorter and 1cm smaller diameter than the SELP18105G. The issue with this lens is that critics noted it's basically a rebranded Tamron 18-200mm lens, so you are paying a premium just for the Sony name. SELP18200: This lens is like combining the SELP18105 and SEL18200 lenses because it has the internal focusing and power zoom (indicated by the "P" in the model #), while providing 200mm zoom and Active OSS. See the above descriptions for benefits of these features. However, you are paying $1100 for this lens. SEL55210: If you have the kit lens (SEL1650 or SEL1855) and are on a budget, then this lens is the best option for you since it's only $300. However, you will have to swap lenses whenever you cross the 50mm zoom boundary, which may cause dust to settle on your image sensor. Also, it does not have internal focusing or power zoom, but does have regular OSS. SEL1670Z: This lens is Sony's premium lens with Carl Zeiss (indicated by the "Z" in the model #) AR-coated optics and f-4 max aperture, but costs $1000. But it has relatively weak zoom (24-105mm 35mm equivalent), and some reviews noted focusing issues. It has internal focusing and regular OSS, but no power zoom. For $1000, the lens should not have focusing problems, and the zoom needs to be stronger (at least 6x). Comparing Sony's E-mount APS-C lenses, this lens (SELP18105G) is the best value for the price. I tested this lens on my Sony NEX-6 camera.

This lens is phenomenal. Like most of you, i was torn between this and the Zeiss. I already owned the 18-200mm so I was used to the size, however I was expecting this one to be slightly smaller. It's not. They're almost identical in size. That was surprising. this one is definitely sharper. I rarely go over 105mm anyways so this lens is a "better" lens for me and probably for most people. In fact, if you're one of the few who's torn between this and the 18-200mm, my recommendation is buy this lens and with the money you'll save, buy the 55-210mm for those rare moments. I also own that one and have been very impressed with the results out of a $300 lens. I have GAS. Gear Acquisition Syndrome. I found a great deal on that 55-210 so I jumped on it, especially after noticing a smudge on my 18-200 that I can't get to come off. It may be due for retirement. Something about this lens that I didn't know about until after I started using it, the zoom is as smooth as butter. Definitely helps with videos. I HATED using the 16-50mm kit lens for videos. The zoom was rough and shaky. However this one is so smooth, I love using the zoom. Definitely helps make videos look more professional. Especially since I can keep the F4 across the range. If you do a lot of video, I can't think of a better e-mount lens (under $2000). The lens feels strong and sturdy. Made of great quality, and these G lenses are highly rated. You can't go wrong with this one. For a point of reference, i'm using it on my a6300.

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This is a very good lens stayes on my camera most of the time

Il Sony E PZ 18-105mm f/4 G OSS è uno dei "sempreverdi" del sistema Sony APS-C. Sebbene non sia l'obiettivo più recente sul mercato, rimane una scelta quasi obbligata per molti videomaker e fotografi di viaggio. Ecco una recensione dettagliata per aiutarti a capire se fa ancora al caso tuo. 🟢 I Punti di Forza 1. Lo Zoom Elettronico (Power Zoom) La "P" nella sigla SELP sta per Power Zoom. Grazie alla levetta sul barilotto, puoi effettuare zoomate fluide e costanti, impossibili da replicare a mano. Questo lo rende lo strumento perfetto per i video. 2. Apertura Costante f/4 A differenza degli obiettivi kit standard (che chiudono il diaframma man mano che zoomi), questo mantiene f/4 su tutta l'escursione. Questo garantisce un'esposizione coerente e un discreto sfocato (bokeh) anche alla massima estensione di 105mm. 3. Zoom Interno Una caratteristica rara in questa fascia: l'obiettivo non si allunga fisicamente quando zoomi. Tutto il movimento avviene all'interno. • Vantaggio enorme: Se usi un gimbal, non dovrai ricalibrarlo ogni volta che cambi focale. 🔴 I Punti Deboli 1. Dimensioni e Peso Rispetto ad alternative più moderne (come il Sony 18-135mm o il 10-20mm PZ), il 18-105mm è piuttosto voluminoso e pesante. Su corpi piccoli come la serie ZV-E10 o le vecchie a6000, risulta un po' sbilanciato in avanti. 2. Distorsione Ottica Senza le correzioni digitali in camera (o in post-produzione), l'obiettivo presenta una forte distorsione "a cuscinetto" alle focali più lunghe. Se scatti in JPEG il problema è invisibile, ma se lavori in RAW dovrai applicare il profilo correttivo con un click. 3. Nitidezza non "Tagliente" È un obiettivo della serie G, quindi la qualità è buona, ma non aspettarti la nitidezza chirurgica dei fissi o delle lenti serie GM. Agli angoli, soprattutto a tutta apertura, tende a essere un po' morbido. Compralo se: Sei un videomaker o un vlogger. La fluidità del Power Zoom e il design a zoom interno sono caratteristiche professionali che valgono ogni centesimo. È l'obiettivo "tuttofare" ideale per eventi e interviste. • Lascia perdere se: Sei un fotografo puro che cerca la massima portabilità. In questo caso, il Sony 18-135mm f/3.5-5.6 è più nitido, più leggero e ha una portata maggiore, pur rinunciando allo zoom elettronico. Nota Personale: Nonostante l'età, resta una lente estremamente affidabile. Se lo trovi usato a un buon prezzo, è un investimento che mantiene bene il valore.

Bardzo fajny i uniwersalny obiektyw. Stałe światło i nie zmienianie rozmiaru podczas używania to też duży plus. Power zoom działa o wiele lepiej niż w 16-50. W RAW faktycznie spora beczka/poduszka ale da się to skorygować w programie. JPG są już skorygowane przez aparat. W tej cenie super.

The build quality of the Sony PZ 18-105mm lens is robust, featuring a solid construction that feels durable and reliable. The zoom ring operates smoothly, and the power zoom functionality is a significant advantage, especially for video recording. The lens does add some weight to the camera, but it balances well with the ZV-E10, making it comfortable to handle during extended shooting sessions. The 18-105mm focal range is incredibly versatile, covering everything from wide-angle shots to medium telephoto. This makes it suitable for a variety of shooting scenarios, including landscapes, portraits, and even some wildlife photography. On the Sony ZV-E10, this range is particularly useful, allowing for a wide array of creative compositions without the need to frequently change lenses. The image quality produced by this lens is commendable. It delivers sharp, clear images across its zoom range, with good color reproduction and contrast. The lens maintains consistent sharpness even at the edges, which is impressive for a zoom lens of this range. Chromatic aberration and distortion are minimal and easily correctable in post-processing. When paired with the Sony ZV-E10, the autofocus performance of the PZ 18-105mm is quick and accurate. The lens works seamlessly with the camera’s advanced autofocus system, making it easy to capture sharp images of moving subjects. The silent operation of the autofocus motor is an added bonus, particularly for video recording, where noise can be a distraction. Overall, the Sony PZ 18-105mm lens is a fantastic addition to the Sony ZV-E10. Its versatility, excellent image quality, and superior video capabilities make it a must-have for both photographers and videographers. Whether you're a hobbyist looking to expand your lens collection or a professional seeking a reliable all-around lens, the PZ 18-105mm is an excellent choice, value for money.