---
product_id: 1142912
title: "Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed"
brand: "canon"
price: "105681 kr"
currency: ISK
in_stock: true
reviews_count: 8
category: "Canon"
url: https://www.desertcart.is/products/1142912-canon-ef-50mm-f-1-4-usm-standard-and-medium
store_origin: IS
region: Iceland
---

# f/1.4 max aperture - low light & creamy bokeh 50mm fixed focal length - versatile framing USM autofocus - silent, fast, precise Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed

**Brand:** canon
**Price:** 105681 kr
**Availability:** ✅ In Stock

## Summary

> 📸 Elevate your vision with the legendary 50mm f/1.4 — where sharpness meets soul.

## Quick Answers

- **What is this?** Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed by canon
- **How much does it cost?** 105681 kr with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.is](https://www.desertcart.is/products/1142912-canon-ef-50mm-f-1-4-usm-standard-and-medium)

## Best For

- canon enthusiasts

## Why This Product

- Trusted canon brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Built to Last & Adapt:** Robust build with full-time manual focus and EF mount for future-proof versatility
- • **Blazing f/1.4 Aperture:** Capture crisp, bright images even in challenging low light
- • **Astigmatism-Free Optics:** Advanced Gaussian & high-refraction elements deliver razor-sharp clarity
- • **Iconic 50mm Prime Power:** Classic focal length for stunning portraits & everyday shots
- • **Whisper-Quiet USM Autofocus:** Fast, smooth, and silent focusing perfect for photo & video

## Overview

The Canon EF 50mm f/1.4 USM is a premium standard prime lens designed for Canon EF-mount SLR cameras. Featuring a bright f/1.4 aperture, ultrasonic motor autofocus, and advanced optical elements that eliminate astigmatism, it delivers sharp, vibrant images with beautiful bokeh. Lightweight and durable, it’s ideal for professionals and enthusiasts seeking superior low-light performance and creative control in portraits, street, and everyday photography.

## Description

desertcart.com The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with two high-refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty.what's in the boxCanon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty. SpecificationsFocal length: 50mm Maximum aperture: f/1.4L Lens construction: 7 elements in 6 groups Angle of view: 46 degrees Focus adjustment: Overall linear extension system with USM Closest focusing distance: 1.5 feet Filter size: 58mm Dimensions: 2.9 inches in diameter and 2 inches long Weight: 10.2 ounces Warranty: 1 year Product Description Standard lens Featuring superb quality and portability. 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Filter size: 58 mm, Closest Focusing Distance: 1.5 feet. The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with 2 high-refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty.what's in the boxCanon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty. Specifications.

Review: Undeniable Results - At this point, this lens has such a strong backing that I'm just another voice in the wind. *If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.* Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet. It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!* It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock. It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography. It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother. And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur. Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's. The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's. The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies. Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open. So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed.
Review: Unequal perfection - I bought this lens after reading several reviews and trying to decide if the 1.8 vs the 1.4. I also decided to borrow a 1.8 and almost immediately I could see the difference. Using an aperture of 2.0 is clearly the best for sharp pictures. I have almost started to use this lens exclusively. I have taken some pictures that amaze me when reviewing on the computer. This lens is an absolute must for anyone armature or professional. This lens should be the first purchase when upgrading to new lenses. The essential addition to your kit. Pro: - Blohke is amazing. The aperture blades make wonderful octagons out of light and makes blurred water look incredible. - Sharp Focus is best at F2.0 but awesome at most f-stops. I cannot complain but I definitely keep it at 2.0 more often than not. - Quiet autofocus. This does not seem like much until you change out to another lens. Holy cow is it quiet. This can be a major advantage while taking video with your DSLR. - Cost (Pro and Con) is low for what you get. The quality of this lens from build to optics is definitely worth the price. It just feels solid compared to the 1.8. If you think that 300 is high for a lens then you will view this as a con but if you think of a lens as a long term investment into your profession or hobby then the 300 will pay off end dividends. Cons: - Autofocus can be touchy at lower f-stops and may require very very minor manual adjustments. It can be agrivating if you do not pay attention to where you want the focus but you should be able to adjust easily. - Cost but if this is a con for you then you are not investing in your photography. Overall: This lense is surpassed by none and should be in your camera bag. It's going to last you far beyond your normal lenses. It is going to be more reliable and better quality than any stock lens. Also remember that this is an EF lens and will be able to go from camera to camera unlike the EF-S lenses. If you ever move to a full frame from a cropped frame camera you will be able to use the lens and long lose your investment.

## Features

- Standard focal length 50 millimeter lens is effective in a multitude of shooting situations and ideal for day-to-day shooting
- Elements, Groups: 7 by 6, Diaphragm: Blades 8, Filter Thread: Font 58 millimeter. Minimum focusing distance: 17.8 inch
- An f 1.4 maximum aperture provides clear imaging in low light situations and shallow depth of field
- Ultrasonic autofocus motor (USM) operation is fast, smooth and virtually silent
- 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference
- This large aperture standard prime lens has superior peripheral brightness even at the maximum aperture
- Lens construction: 8 elements in 6 groups, Filter size: 77 millimeter
- Optimized for Digital – super multi-layer coating minimizes flare and ghosting – a common problem of digital cameras
- The optimum optical design and molded glass aspherical lens elements provide excellent correction for all types of aberrations, including coma aberration, resulting in superior optical performance
- The Hypersonic Motor (HSM) ensures silent, high speed auto-focusing as well as full time manual focusing capability

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00009XVCZ |
| Audio Recording | No |
| Best Sellers Rank | #228 in SLR Camera Lenses |
| Brand | Canon |
| Built-In Media | Canon EF 50mm f/1.4 USM Lens, E-58 II 58mm Lens Cap, Lens Dust Cap E (Rear), Warranty |
| Camera Lens | EF 50mm f/1.4 USM Standard |
| Camera Lens Description | EF 50mm f/1.4 USM Standard |
| Color | Black |
| Compatible Camera Models | Canon EOS |
| Compatible Camera Mount | Canon EF |
| Compatible Devices | SLR |
| Compatible Mountings | Canon EF |
| Customer Reviews | 4.6 out of 5 stars 5,251 Reviews |
| Exposure Control Type | Automatic |
| Focal Length Description | 50mm |
| Focus Type | Auto Focus |
| Global Trade Identification Number | 00082966213014, 00777785468928, 00829662130142, 03610170567363, 04960999213019, 05054531081637 |
| Has Self-Timer | No |
| Image stabilization | no |
| Item Type Name | Canon usa 2515a003 ef 50mm f/1. 4 usm lens. |
| Item Weight | 290 Grams |
| Lens | Standard |
| Lens Coating Description | No Coating |
| Lens Design | Prime |
| Lens Fixed Focal Length | 50 Millimeters |
| Lens Mount | Canon EF |
| Lens Type | Standard |
| Manufacturer | Canon Cameras US |
| Maximum Focal Length | 50 Millimeters |
| Media Type | ProductImage |
| Minimum Aperture | 22 |
| Minimum Focal Length | 0.45 Millimeters |
| Model Name | 2515A003 |
| Number of Diaphragm Blades | 8 |
| Photo Filter Size | 58 Millimeters |
| Real Angle Of View | 40 Degrees |
| Screen Size | 4.17 Inches |
| UPC | 400002885214 |
| Warranty Description | 1 year coverage for labor, 1 year coverage for parts |
| Water Resistance Level | Not Water Resistant |
| Zoom Ratio | 111.11:1 |

## Product Details

- **Brand:** Canon
- **Camera Lens Description:** EF 50mm f/1.4 USM Standard
- **Compatible Mountings:** Canon EF
- **Focal Length Description:** 50mm
- **Lens Type:** Standard

## Images

![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 1](https://m.media-amazon.com/images/I/61432iSF2eL.jpg)
![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 2](https://m.media-amazon.com/images/I/71YbVBKufjL.jpg)
![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 3](https://m.media-amazon.com/images/I/318rm1H06VL.jpg)
![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 4](https://m.media-amazon.com/images/I/51436QeQkBL.jpg)

## Available Options

This product comes in different **Pattern, Style** options.

## Questions & Answers

**Q: Debating between 50mm 1.4 vs 50mm 1.8 for Canon 70D. What's the big differences between the two and which would you suggest?**
A: Google Canon 50mm 1.4 focus problem. Canon even has a service bulletin on it. Save your money and get the 50 1.8.

**Q: Whats the difference, except price, in this lens vs.  Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras by Canon  $1,619.00**
A: There are a couple of differences, but the real question is what are your needs as a photographer? I'm guessing that since you are asking what the differences are between these lenses, your needs are not of the professional nature, but I don't want to assume. The F1.2 is a pro lens. It is a stop faster, has sharper optics, manual focus override with just a twist of the lens, and from what I've heard nicer bokeh. Generally Canon puts everything it has into its "L" lenses. Better optics, build quality, and finish. I do not own the F1.2. I don't need it. To quote a friend of mine that shoots models all day in L.A., "If someone hadn't stolen my F1.4, I would not have purchased the F1.2". For someone who shoots portrait and magazine covers all day and makes a living at it, the subtle differences of the F1.2 are worth the extra money. For someone like me, who shoots portraits on occasion or shots for web sites etc., the F1.4 is a wonderful lens. It's very fast, handles well, and produces great photos. Not to discount the F1.2; it is an amazing lens and if money were no object of course I would own it. Hope this helps. Happy shooting!

**Q: Could some kind,patient person tell me how to get to the photo gallery that shows how pictures look taken with a specific lens?thx!**
A: I usually use this website http://www.pixel-peeper.com/lenses/?lens=16You can filter the photos by camera model and lens model. I believe the source of the pictures are all from Flicker

**Q: will this work with eos rebel T5i**
A: I only had EOS Rebel t2i and it works with this lens. I'm guessing it will work on T5i as well, but I'm not 100% positive

## Customer Reviews

### ⭐⭐⭐⭐⭐ Undeniable Results
*by M***N on July 13, 2013*

At this point, this lens has such a strong backing that I'm just another voice in the wind. *If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.* Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet. It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!* It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock. It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography. It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother. And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur. Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's. The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's. The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies. Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open. So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed.

### ⭐⭐⭐⭐⭐ Unequal perfection
*by A***Y on May 24, 2013*

I bought this lens after reading several reviews and trying to decide if the 1.8 vs the 1.4. I also decided to borrow a 1.8 and almost immediately I could see the difference. Using an aperture of 2.0 is clearly the best for sharp pictures. I have almost started to use this lens exclusively. I have taken some pictures that amaze me when reviewing on the computer. This lens is an absolute must for anyone armature or professional. This lens should be the first purchase when upgrading to new lenses. The essential addition to your kit. Pro: - Blohke is amazing. The aperture blades make wonderful octagons out of light and makes blurred water look incredible. - Sharp Focus is best at F2.0 but awesome at most f-stops. I cannot complain but I definitely keep it at 2.0 more often than not. - Quiet autofocus. This does not seem like much until you change out to another lens. Holy cow is it quiet. This can be a major advantage while taking video with your DSLR. - Cost (Pro and Con) is low for what you get. The quality of this lens from build to optics is definitely worth the price. It just feels solid compared to the 1.8. If you think that 300 is high for a lens then you will view this as a con but if you think of a lens as a long term investment into your profession or hobby then the 300 will pay off end dividends. Cons: - Autofocus can be touchy at lower f-stops and may require very very minor manual adjustments. It can be agrivating if you do not pay attention to where you want the focus but you should be able to adjust easily. - Cost but if this is a con for you then you are not investing in your photography. Overall: This lense is surpassed by none and should be in your camera bag. It's going to last you far beyond your normal lenses. It is going to be more reliable and better quality than any stock lens. Also remember that this is an EF lens and will be able to go from camera to camera unlike the EF-S lenses. If you ever move to a full frame from a cropped frame camera you will be able to use the lens and long lose your investment.

### ⭐⭐⭐⭐⭐ An Amazing First “Serious” Lens for Beginners
*by J***K on January 31, 2026*

As someone approaching this lens from a newbie’s perspective, the Canon EF 50mm f/1.4 USM feels like a big step up and a confidence booster right away. It’s the kind of lens that makes you feel like you’re finally getting “real camera” results. ——— What I Like The first thing I noticed is how fast this lens is. The f/1.4 aperture makes a huge difference compared to a kit lens. Photos come out bright even indoors, and the background blur is beautiful—subjects really stand out, especially for portraits. Faces look sharp and flattering, and the overall image quality feels professional without much effort. Autofocus is quick and accurate, which is reassuring for a beginner who’s still learning how to frame and focus properly. The lens also feels well-built and solid in hand, so it doesn’t feel fragile or cheap. It’s lightweight enough to carry around easily, and the 50mm focal length is very natural, making it great for everyday shooting and learning composition. ——— What Could Be Better For a beginner, shooting wide open at f/1.4 can be tricky. The depth of field is very shallow, so it’s easy to miss focus at first. I also noticed that images can look a bit soft when fully wide open, which may surprise new users expecting perfect sharpness all the time. Stopping down slightly helps a lot, but that takes some practice and understanding of aperture. The lens design feels a bit old, and it doesn’t have modern features like image stabilization or weather sealing. The focus ring works fine, but it could feel smoother and more refined, especially for someone trying manual focus. ——— Final Thoughts Overall, the Canon EF 50mm f/1.4 USM is an excellent lens for beginners who want to move beyond their kit lens and start taking more creative photos. It’s fast, sharp, and produces stunning portraits with beautiful background blur. While it does require some practice to master, that learning process is part of what makes this lens so rewarding. For anyone new to photography and looking to level up, this lens is a fantastic choice.

## Frequently Bought Together

- Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed
- JJC Lens Hood Shade for Canon EF 50mm f/1.4 USM Lens Replaces Canon ES-71II Hood Reverse Attaching -Black
- SanDisk 128GB Extreme PRO SDXC UHS-I Memory Card - C10, U3, V30, 4K UHD, SD Card - SDSDXXD-128G-GN4IN

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